His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 29.
Strana 413
... University Press , 1957 ) ; Shakespeare Criticism , 1935-1960 , edited by Anne B. Ridler ( London and New York : Oxford University Press , 1963 ) . Shake- spearean criticism has also been collected in the New Variorum editions of the ...
... University Press , 1957 ) ; Shakespeare Criticism , 1935-1960 , edited by Anne B. Ridler ( London and New York : Oxford University Press , 1963 ) . Shake- spearean criticism has also been collected in the New Variorum editions of the ...
Strana 420
... University Press , 1952. Bradleyan criticism . Charney , Maurice , Shakespeare's Roman Plays , Cambridge , Mass .: Har- vard University Press , 1961. The dramatic function of the verbal and stage images . Farnham , Willard ...
... University Press , 1952. Bradleyan criticism . Charney , Maurice , Shakespeare's Roman Plays , Cambridge , Mass .: Har- vard University Press , 1961. The dramatic function of the verbal and stage images . Farnham , Willard ...
Strana 421
... University Press , 1949. Analogous stories , situations and relationships . Hankins , John Erskine , The Character of Hamlet and Other Essays , Chapel Hill , N.C .: University of North Carolina Press , 1941 . Hamlet and Elizabethan ...
... University Press , 1949. Analogous stories , situations and relationships . Hankins , John Erskine , The Character of Hamlet and Other Essays , Chapel Hill , N.C .: University of North Carolina Press , 1941 . Hamlet and Elizabethan ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young