His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 64.
Strana 134
... appears , the third in the play , there is one of the most remarkable instances in dramatic literature of a man saying one thing but thinking another and the audience made to see this . He prolongs the situation , keeps the Christians ...
... appears , the third in the play , there is one of the most remarkable instances in dramatic literature of a man saying one thing but thinking another and the audience made to see this . He prolongs the situation , keeps the Christians ...
Strana 210
... appear , are so evi- dently not the ultimate power , what is this power ? What account can we give of it which will ... appears to operate , another is present from which it is probably impossible wholly to escape . What I mean is this ...
... appear , are so evi- dently not the ultimate power , what is this power ? What account can we give of it which will ... appears to operate , another is present from which it is probably impossible wholly to escape . What I mean is this ...
Strana 269
... appears in this first scene in its trivial , ludicrous aspect ; threatening , however , in a moment to become earnest and formidable . The serving men Gregory and Samson biting thumbs at the serving - men Abraham and Balthasar , this is ...
... appears in this first scene in its trivial , ludicrous aspect ; threatening , however , in a moment to become earnest and formidable . The serving men Gregory and Samson biting thumbs at the serving - men Abraham and Balthasar , this is ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young