His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Výsledky 1 - 3 z 70.
Strana 49
... audience . Thus Falstaff is ( a ) amusing , and ( b ) morally reprehensible ; an Elizabethan audience would applaud his wit , but approve his final dismissal . Victorian critics , however , displayed bitter resentment , not only against ...
... audience . Thus Falstaff is ( a ) amusing , and ( b ) morally reprehensible ; an Elizabethan audience would applaud his wit , but approve his final dismissal . Victorian critics , however , displayed bitter resentment , not only against ...
Strana 56
... audience , ready to grasp at every word and each significant gesture . It would be fatal for their purpose if the audience were to become emotionally involved in the thin line of romantic story which holds their performance together ...
... audience , ready to grasp at every word and each significant gesture . It would be fatal for their purpose if the audience were to become emotionally involved in the thin line of romantic story which holds their performance together ...
Strana 159
... audience , with the clear purpose of exposing him . When Lucio plucks off the Friar's hood and discovers the Duke , the impudent buffoon also accomplishes his own exposure . He then tries to sneak unobtrusively away , but is arrested ...
... audience , with the clear purpose of exposing him . When Lucio plucks off the Friar's hood and discovers the Duke , the impudent buffoon also accomplishes his own exposure . He then tries to sneak unobtrusively away , but is arrested ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called character Christian Claudio Coleridge conventions Cordelia cynicism death Desdemona divine DOVER WILSON drama dream Duke E. K. CHAMBERS effect Elizabethan emotion evil eyes fact Falstaff father feeling forgiveness give green world Hamlet hath Hazlitt heart heaven Henry human Iago idea imagery images imagination Isabel Juliet justice King Lear laughter lovers Lucio Macbeth Mariana Measure for Measure mind modern moral murder nature never night Ophelia Othello passion pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic comedies Romeo satire says scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy Shylock soul speak speare speare's speech spirit stage Stoll story suffering symbolic Tempest tetralogy thee theme Thersites things thou thought tion Troilus and Cressida true truth University villain whole Wilson Knight words