His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 68.
Strana 4
... become refined and the differences between human beings in life and dramatic characters are more strongly emphasized . So too almost everyone regards Shakespearean drama as possessing organic unity , but the nature of that unity has become ...
... become refined and the differences between human beings in life and dramatic characters are more strongly emphasized . So too almost everyone regards Shakespearean drama as possessing organic unity , but the nature of that unity has become ...
Strana 36
... become . He not only had in himself the germs of every faculty and feeling , but he could follow them by anticipation , intuitively , into all their con- ceivable ramifications , through every change of fortune or conflict of passion ...
... become . He not only had in himself the germs of every faculty and feeling , but he could follow them by anticipation , intuitively , into all their con- ceivable ramifications , through every change of fortune or conflict of passion ...
Strana 41
... become . Their felicity is equal to their force . Their likeness is made more dazzling by their novelty . They startle , and take the fancy prisoner in the same instant . I will mention one or two which are very striking , and not much ...
... become . Their felicity is equal to their force . Their likeness is made more dazzling by their novelty . They startle , and take the fancy prisoner in the same instant . I will mention one or two which are very striking , and not much ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young