His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 90.
Strana 30
... character pervades every drama of Shakspeare . It seems to me that his plays are distinguished from those of all ... character , and , like the farewell admonitions of a parent , have an end beyond the parental relation . Thus the ...
... character pervades every drama of Shakspeare . It seems to me that his plays are distinguished from those of all ... character , and , like the farewell admonitions of a parent , have an end beyond the parental relation . Thus the ...
Strana 33
... character say , you may be deceived , and still more so , if that which his enemies say ; nay , even the character himself sees himself through the medium of his character , and not exactly as he is . Take all together , not omitting a ...
... character say , you may be deceived , and still more so , if that which his enemies say ; nay , even the character himself sees himself through the medium of his character , and not exactly as he is . Take all together , not omitting a ...
Strana 429
... character analysis , 204–205 Lamb , Charles : on tragic heroes , 9 ; on dramatic conventions , 44-45 ; on stage ... character of Duke , ( Chambers ) 166-167 ; character of Angelo , ( Chambers ) 167-168 ; dramatic irony in , ( Chambers ) ...
... character analysis , 204–205 Lamb , Charles : on tragic heroes , 9 ; on dramatic conventions , 44-45 ; on stage ... character of Duke , ( Chambers ) 166-167 ; character of Angelo , ( Chambers ) 167-168 ; dramatic irony in , ( Chambers ) ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young