His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 72.
Strana 116
... comedy . True love is serious , and Comedy should amuse . It is exclusive - most terribly so and Comedy should be friendly . It is unsocial - it cannot be hidden from you how very unsocial two lovers can be ! -but the subject of Comedy ...
... comedy . True love is serious , and Comedy should amuse . It is exclusive - most terribly so and Comedy should be friendly . It is unsocial - it cannot be hidden from you how very unsocial two lovers can be ! -but the subject of Comedy ...
Strana 120
... comedy , Old Comedy , repre- sented by the eleven extant plays of Aristophanes , and New Comedy , of which the best known exponent is Menander . About two dozen New Comedies survive in the work of Plautus and Terence . Old Comedy ...
... comedy , Old Comedy , repre- sented by the eleven extant plays of Aristophanes , and New Comedy , of which the best known exponent is Menander . About two dozen New Comedies survive in the work of Plautus and Terence . Old Comedy ...
Strana 121
... Comedy audiences tire of most quickly . The conventions of New Comedy are the conventions of Jonson and Molière , and a fortiori of the English Restoration and the French rococo . When Ibsen started giving ironic twists to the same ...
... Comedy audiences tire of most quickly . The conventions of New Comedy are the conventions of Jonson and Molière , and a fortiori of the English Restoration and the French rococo . When Ibsen started giving ironic twists to the same ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
23 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young