His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Výsledky 1 - 3 z 65.
Strana 122
... comic as the vices of Shylock . The essential comic resolution , therefore , is an individual release which is also a social reconciliation . The normal individual is freed from the bonds of a humorous society , and a normal society is ...
... comic as the vices of Shylock . The essential comic resolution , therefore , is an individual release which is also a social reconciliation . The normal individual is freed from the bonds of a humorous society , and a normal society is ...
Strana 126
... comic resolution contains a suggestion of the old ritual pattern of the victory of summer over winter . This is explicit in Love's Labour's Lost . In this very masque - like play , the comic contest takes the form of the medieval debate ...
... comic resolution contains a suggestion of the old ritual pattern of the victory of summer over winter . This is explicit in Love's Labour's Lost . In this very masque - like play , the comic contest takes the form of the medieval debate ...
Strana 137
... comic effect of Jonson's Silent Woman , not only in Shake- speare's day but long after , there is abundant and authoritative testi- mony - to the comic effect of the ' heartless raging of harmless old Morose , ' whose only shortcomings ...
... comic effect of Jonson's Silent Woman , not only in Shake- speare's day but long after , there is abundant and authoritative testi- mony - to the comic effect of the ' heartless raging of harmless old Morose , ' whose only shortcomings ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young