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Strana 51
But this double consciousness of play world and real world has the solid advantage of " distancing ” a play , so that the words and deeds of which it consists may be critically weighed in the course of its performance .
But this double consciousness of play world and real world has the solid advantage of " distancing ” a play , so that the words and deeds of which it consists may be critically weighed in the course of its performance .
Strana 223
Any reader , of course , must be aware of certain recurrent symbolic imagery in Shakespeare , such as that of a tree and its branches , and of planting , lopping , or rooting up , which runs through the English historical plays ...
Any reader , of course , must be aware of certain recurrent symbolic imagery in Shakespeare , such as that of a tree and its branches , and of planting , lopping , or rooting up , which runs through the English historical plays ...
Strana 242
And a little later , Gloucester being indeed shaken to the heart by Edmund's revelations , in the course of ten lines uses these verbs and nouns , scourged , cools , falls off , divide , cracked , falls from bias , follow disquietly ...
And a little later , Gloucester being indeed shaken to the heart by Edmund's revelations , in the course of ten lines uses these verbs and nouns , scourged , cools , falls off , divide , cracked , falls from bias , follow disquietly ...
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Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 13 |
Contents xi | 15 |
Autorské práva | |
13 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience beauty become Bradley bring called cause character Christian comedy comes comic course critics death divine drama Duke effect Elizabethan emotion evil expression eyes fact Falstaff father feeling figure final follow force give Hamlet hand heart heaven Henry hero human idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure merely mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reason regard Richard romantic Romeo scene seems seen sense Shake Shakespeare shows Shylock soul speak speech spirit stage story suffering suggests symbolic Tempest theme things thou thought tion tragedy tragic Troilus true truth turn University whole young