His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 88.
Strana 43
... drama is a poetic drama , a form in which the poetry is not merely decorative but essential to the drama itself . As T. S. Eliot has phrased it : " A verse play is not a play done into verse , but a different kind of play : in a way ...
... drama is a poetic drama , a form in which the poetry is not merely decorative but essential to the drama itself . As T. S. Eliot has phrased it : " A verse play is not a play done into verse , but a different kind of play : in a way ...
Strana 44
... drama . He has found it to be dependent on a conventionalism of which verse is an integral part , a conventionalism which applies to the handling both of character , in the frequent departures from representa- tional depiction , and ...
... drama . He has found it to be dependent on a conventionalism of which verse is an integral part , a conventionalism which applies to the handling both of character , in the frequent departures from representa- tional depiction , and ...
Strana 46
... drama could so quickly have arisen out of a conventional tradition . Behind the Elizabethan drama were generations of miracle plays and interludes , including " moralities " such as Everyman ; they had not quite disappeared in the ...
... drama could so quickly have arisen out of a conventional tradition . Behind the Elizabethan drama were generations of miracle plays and interludes , including " moralities " such as Everyman ; they had not quite disappeared in the ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
23 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called character Christian Claudio Coleridge conventions Cordelia cynicism death Desdemona divine DOVER WILSON drama dream Duke E. K. CHAMBERS effect Elizabethan emotion evil eyes fact Falstaff father feeling forgiveness give green world Hamlet hath Hazlitt heart heaven Henry human Iago idea imagery images imagination Isabel Juliet justice King Lear laughter lovers Lucio Macbeth Mariana Measure for Measure mind modern moral murder nature never night Ophelia Othello passion pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic comedies Romeo satire says scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy Shylock soul speak speare speare's speech spirit stage Stoll story suffering symbolic Tempest tetralogy thee theme Thersites things thou thought tion Troilus and Cressida true truth University villain whole Wilson Knight words