His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 53.
Strana 217
... evil . Let us under- stand by these words , primarily , moral good and evil , but also every- thing else in human beings which we take to be excellent or the reverse . Let us understand the statement that the ultimate power or order is ...
... evil . Let us under- stand by these words , primarily , moral good and evil , but also every- thing else in human beings which we take to be excellent or the reverse . Let us understand the statement that the ultimate power or order is ...
Strana 219
... evil against which it asserts itself , and the persons whom this evil inhabits , are not really something outside the order , so that they can attack it or fail to conform to it ; they are within it and a part of it . It itself produces ...
... evil against which it asserts itself , and the persons whom this evil inhabits , are not really something outside the order , so that they can attack it or fail to conform to it ; they are within it and a part of it . It itself produces ...
Strana 220
... evil . Yet it appears to engender this evil within itself , and in its effort to overcome and expel it it is agonised with pain , and driven to mutilate its own substance and to lose not only evil but priceless good . That this idea ...
... evil . Yet it appears to engender this evil within itself , and in its effort to overcome and expel it it is agonised with pain , and driven to mutilate its own substance and to lose not only evil but priceless good . That this idea ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young