His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 52.
Strana 136
... eyes of the audience if not in his own , by the repeated use of the old Aristotelian argument of the essential barren- ness of money , still gospel in Shakespeare's day , in the second question , Or is your gold and silver ewes and rams ...
... eyes of the audience if not in his own , by the repeated use of the old Aristotelian argument of the essential barren- ness of money , still gospel in Shakespeare's day , in the second question , Or is your gold and silver ewes and rams ...
Strana 197
... eyes To twinkle in their spheres till they return . What if her eyes were there , they in her head ? The brightness of her cheek would shame those stars As daylight doth a lamp ; her eyes in heaven Would through the airy region stream ...
... eyes To twinkle in their spheres till they return . What if her eyes were there , they in her head ? The brightness of her cheek would shame those stars As daylight doth a lamp ; her eyes in heaven Would through the airy region stream ...
Strana 324
... eyes , but where the understanding is positively allowed to obliterate the eyes , as it were ; for not only does the man believe the evidence of his understanding in opposition to that of his eyes , but ( what is monstrous ! ) the idiot ...
... eyes , but where the understanding is positively allowed to obliterate the eyes , as it were ; for not only does the man believe the evidence of his understanding in opposition to that of his eyes , but ( what is monstrous ! ) the idiot ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young