His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 66.
Strana 39
... feeling or sentiment preying upon itself , growing out of itself , and moulding everything to itself ; it is passion modified by passion , by all the other feelings to which the individual is liable , and to which others are liable with ...
... feeling or sentiment preying upon itself , growing out of itself , and moulding everything to itself ; it is passion modified by passion , by all the other feelings to which the individual is liable , and to which others are liable with ...
Strana 209
... feeling that man is a poor mean creature . He may be wretched and he may be awful , but he is not small . His lot may be heartrending and mysterious , but it is not contemptible . The most confirmed of cynics ceases to be a cynic while ...
... feeling that man is a poor mean creature . He may be wretched and he may be awful , but he is not small . His lot may be heartrending and mysterious , but it is not contemptible . The most confirmed of cynics ceases to be a cynic while ...
Strana 339
... feeling of vastness , the feeling not of a scene or particular place , but of a world ; or , to speak more accurately , of a particular place which is also a world . This world is dim to us , partly from its immensity , and partly ...
... feeling of vastness , the feeling not of a scene or particular place , but of a world ; or , to speak more accurately , of a particular place which is also a world . This world is dim to us , partly from its immensity , and partly ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young