His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Strana 121
... final situation . In classical times this character is a tricky slave ; Renaissance drama- tists often use some adaptation of the medieval " vice " ; modern writers generally like to pretend that nature , or at least the natural course ...
... final situation . In classical times this character is a tricky slave ; Renaissance drama- tists often use some adaptation of the medieval " vice " ; modern writers generally like to pretend that nature , or at least the natural course ...
Strana 155
... final burst of derision . Instead he is shown as purged of his sin , repentant , and ready to make atonement for it . This fact enables Shakespeare to put into Isabella's mouth a final plea for the mercy for which she has stood during ...
... final burst of derision . Instead he is shown as purged of his sin , repentant , and ready to make atonement for it . This fact enables Shakespeare to put into Isabella's mouth a final plea for the mercy for which she has stood during ...
Strana 350
... final , and any description of King Lear as " pessimistic " in the proper sense of that word , would imply a criti- cism which is not intended , and which would make it difficult to leave the work in the position almost universally ...
... final , and any description of King Lear as " pessimistic " in the proper sense of that word , would imply a criti- cism which is not intended , and which would make it difficult to leave the work in the position almost universally ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young