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Strana 82
But Youth at the door of opportunity , with Age or Experience , Charity or Good Counsel , offering him the yoke of responsibility , while the World , the Flesh , and the Devil beckon him to follow them on the primrose way to the ...
But Youth at the door of opportunity , with Age or Experience , Charity or Good Counsel , offering him the yoke of responsibility , while the World , the Flesh , and the Devil beckon him to follow them on the primrose way to the ...
Strana 205
This is not far distant from G. Wilson Knight's “ where one person within the drama is immediately apparent as morally good and another as bad , we will note the difference : but we should follow our dramatic intuitions , ” that is ...
This is not far distant from G. Wilson Knight's “ where one person within the drama is immediately apparent as morally good and another as bad , we will note the difference : but we should follow our dramatic intuitions , ” that is ...
Strana 406
Lie at my mercy all mine enemies : Shortly shall all my labours end , and thou Shalt have the air at freedom : for a little Follow and do me service . Thus ends Activ without a hint that Prospero means to spare Antonio , Alonso and the ...
Lie at my mercy all mine enemies : Shortly shall all my labours end , and thou Shalt have the air at freedom : for a little Follow and do me service . Thus ends Activ without a hint that Prospero means to spare Antonio , Alonso and the ...
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Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 13 |
Contents xi | 15 |
Autorské práva | |
13 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience beauty become Bradley bring called cause character Christian comedy comes comic course critics death divine drama Duke effect Elizabethan emotion evil expression eyes fact Falstaff father feeling figure final follow force give Hamlet hand heart heaven Henry hero human idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure merely mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reason regard Richard romantic Romeo scene seems seen sense Shake Shakespeare shows Shylock soul speak speech spirit stage story suffering suggests symbolic Tempest theme things thou thought tion tragedy tragic Troilus true truth turn University whole young