His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 51.
Strana 88
... hand , all the feasting and good cheer for which Eastcheap stood , and reflects , on the other , the shifts , subterfuges , and shady tricks that decayed gentlemen and soldiers were put to if they wished to keep afloat and gratify their ...
... hand , all the feasting and good cheer for which Eastcheap stood , and reflects , on the other , the shifts , subterfuges , and shady tricks that decayed gentlemen and soldiers were put to if they wished to keep afloat and gratify their ...
Strana 198
... hand , gash , knife . When we listen carefully the effect is very striking : O Pandarus ! I tell thee , Pandarus , - When I do tell thee , there my hopes lie drown'd , Reply not in how many fathoms deep They lie indrench'd . I tell thee ...
... hand , gash , knife . When we listen carefully the effect is very striking : O Pandarus ! I tell thee , Pandarus , - When I do tell thee , there my hopes lie drown'd , Reply not in how many fathoms deep They lie indrench'd . I tell thee ...
Strana 362
... hands . " The gods are just , ' says Edgar . How far can man be a judge of the justice of the gods ? On the one hand , we must obviously take our own highest standards of justice as valid , as a sacred revelation . ' We could not carry and ...
... hands . " The gods are just , ' says Edgar . How far can man be a judge of the justice of the gods ? On the one hand , we must obviously take our own highest standards of justice as valid , as a sacred revelation . ' We could not carry and ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
23 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called character Christian Claudio Coleridge conventions Cordelia cynicism death Desdemona divine DOVER WILSON drama dream Duke E. K. CHAMBERS effect Elizabethan emotion evil eyes fact Falstaff father feeling forgiveness give green world Hamlet hath Hazlitt heart heaven Henry human Iago idea imagery images imagination Isabel Juliet justice King Lear laughter lovers Lucio Macbeth Mariana Measure for Measure mind modern moral murder nature never night Ophelia Othello passion pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic comedies Romeo satire says scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy Shylock soul speak speare speare's speech spirit stage Stoll story suffering symbolic Tempest tetralogy thee theme Thersites things thou thought tion Troilus and Cressida true truth University villain whole Wilson Knight words