Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 58.
Strana 124
The tragic hero is not really killed , and the audience no longer eats his body and drinks his blood , but the corresponding thing in art still takes place . The audience enters into communion with the body of the hero , becoming ...
The tragic hero is not really killed , and the audience no longer eats his body and drinks his blood , but the corresponding thing in art still takes place . The audience enters into communion with the body of the hero , becoming ...
Strana 208
And , conversely , if these persons were put in the place of the tragic heroes , the dramas in which they ... In the circumstances where we see the hero placed , his tragic trait , which is also his greatness , is fatal to him .
And , conversely , if these persons were put in the place of the tragic heroes , the dramas in which they ... In the circumstances where we see the hero placed , his tragic trait , which is also his greatness , is fatal to him .
Strana 264
Thus , while the members of the audience regarded the king or other great person who was the tragic hero with respectful awe , they were also able to regard him as representative of themselves , to feel that the death of Antony Is not a ...
Thus , while the members of the audience regarded the king or other great person who was the tragic hero with respectful awe , they were also able to regard him as representative of themselves , to feel that the death of Antony Is not a ...
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Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 13 |
Contents xi | 15 |
Autorské práva | |
13 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience beauty become Bradley bring called cause character Christian comedy comes comic course critics death divine drama Duke effect Elizabethan emotion evil expression eyes fact Falstaff father feeling figure final follow force give Hamlet hand heart heaven Henry hero human idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure merely mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reason regard Richard romantic Romeo scene seems seen sense Shake Shakespeare shows Shylock soul speak speech spirit stage story suffering suggests symbolic Tempest theme things thou thought tion tragedy tragic Troilus true truth turn University whole young