His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Výsledky 1 - 3 z 58.
Strana 124
... hero . This is clear enough in Aristophanes , where the hero is treated as a risen God - Man , led in triumph with the divine honors of the Olympic victor , rejuvenated , or hailed as a new Zeus . In New Comedy the new human body is ...
... hero . This is clear enough in Aristophanes , where the hero is treated as a risen God - Man , led in triumph with the divine honors of the Olympic victor , rejuvenated , or hailed as a new Zeus . In New Comedy the new human body is ...
Strana 208
... hero placed , his tragic trait , which is also his greatness , is fatal to him . To meet these circum- stances something is required which a smaller man might have given , but which the hero cannot give . He errs , by action or omission ...
... hero placed , his tragic trait , which is also his greatness , is fatal to him . To meet these circum- stances something is required which a smaller man might have given , but which the hero cannot give . He errs , by action or omission ...
Strana 264
... hero was their tragedy , his transgressions their transgressions , his suffering and death the payment every man has to make for them . The Elizabethan audience's feeling toward the tragic hero would also have been influenced by the ...
... hero was their tragedy , his transgressions their transgressions , his suffering and death the payment every man has to make for them . The Elizabethan audience's feeling toward the tragic hero would also have been influenced by the ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young