His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 42.
Strana 215
... justice is satisfied . ' Now , if this view is to hold good , the ' justice ' of which it speaks must be at once distinguished from what is called ' poetic justice . ' 3 I have raised no objection to the use of the idea of fate ...
... justice is satisfied . ' Now , if this view is to hold good , the ' justice ' of which it speaks must be at once distinguished from what is called ' poetic justice . ' 3 I have raised no objection to the use of the idea of fate ...
Strana 350
... justice . But then , as we saw , neither do Shakespeare's other tragedies contain these things . Any theological interpretation of the world on the author's part is excluded from them , and their effect would be disordered or destroyed ...
... justice . But then , as we saw , neither do Shakespeare's other tragedies contain these things . Any theological interpretation of the world on the author's part is excluded from them , and their effect would be disordered or destroyed ...
Strana 362
... justice is only ' on the whole ' : ' by and large . ' ' We may perhaps “ justify the ways of God to man " ; but we ... justice of the gods ? On the one hand , we must obviously take our own highest standards of justice as valid , as a ...
... justice is only ' on the whole ' : ' by and large . ' ' We may perhaps “ justify the ways of God to man " ; but we ... justice of the gods ? On the one hand , we must obviously take our own highest standards of justice as valid , as a ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
23 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young