Vyhľadávanie v obsahu knihy
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Strana 86
A very different kind of poet , who imagined a very different kind of Satan , has been equally and similarly misunderstood by modern critics , who no longer believing in the Prince of Darkness have ceased to understand him .
A very different kind of poet , who imagined a very different kind of Satan , has been equally and similarly misunderstood by modern critics , who no longer believing in the Prince of Darkness have ceased to understand him .
Strana 127
... and realistic like Menander's , nor Platonic and dialectic like Aristophanes ' , nor Thomist and sacramental like Dante's , but a fourth kind . It is an Elizabethan kind , and is not confined either to Shakespeare or to the drama .
... and realistic like Menander's , nor Platonic and dialectic like Aristophanes ' , nor Thomist and sacramental like Dante's , but a fourth kind . It is an Elizabethan kind , and is not confined either to Shakespeare or to the drama .
Strana 194
If we examine the play more closely we shall discover that , governed by these facts which I have mentioned , Shakespeare was in all probability experimenting with a new kind of dramatic form . There are two main themes in the play ...
If we examine the play more closely we shall discover that , governed by these facts which I have mentioned , Shakespeare was in all probability experimenting with a new kind of dramatic form . There are two main themes in the play ...
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Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 13 |
Contents xi | 15 |
Autorské práva | |
13 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience beauty become Bradley bring called cause character Christian comedy comes comic course critics death divine drama Duke effect Elizabethan emotion evil expression eyes fact Falstaff father feeling figure final follow force give Hamlet hand heart heaven Henry hero human idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure merely mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reason regard Richard romantic Romeo scene seems seen sense Shake Shakespeare shows Shylock soul speak speech spirit stage story suffering suggests symbolic Tempest theme things thou thought tion tragedy tragic Troilus true truth turn University whole young