His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Strana 86
... kind of poet , who imagined a very different kind of Satan , has been equally and similarly mis- understood by modern critics , who no longer believing in the Prince of Darkness have ceased to understand him . For , as Professor R. W. ...
... kind of poet , who imagined a very different kind of Satan , has been equally and similarly mis- understood by modern critics , who no longer believing in the Prince of Darkness have ceased to understand him . For , as Professor R. W. ...
Strana 127
... kind . It is an Elizabethan kind , and is not confined either to Shakespeare or to the drama . Spenser's epic is a wonderful con- trapuntal intermingling of two orders of existence , one the red and white world of English history , the ...
... kind . It is an Elizabethan kind , and is not confined either to Shakespeare or to the drama . Spenser's epic is a wonderful con- trapuntal intermingling of two orders of existence , one the red and white world of English history , the ...
Strana 194
... kind of dramatic form . be There are two main themes in the play : the theme of war and the theme of love . The first is represented by Hector , the second by Troilus , and the climax of the action is that both these heroes are ...
... kind of dramatic form . be There are two main themes in the play : the theme of war and the theme of love . The first is represented by Hector , the second by Troilus , and the climax of the action is that both these heroes are ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young