His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Výsledky 1 - 3 z 55.
Strana 43
... less scrupulous than he might have been . He is relaxed and careless in critical places ; he is in earnest throughout only in Timon , Macbeth , and Lear . Again , he had no models of acknowledged excellence constantly in view to ...
... less scrupulous than he might have been . He is relaxed and careless in critical places ; he is in earnest throughout only in Timon , Macbeth , and Lear . Again , he had no models of acknowledged excellence constantly in view to ...
Strana 92
... less than five times ; 21 and ' sweet beef ' as a term of endearment22 requires no explaining . Nor is he only served up as beef ; pork , still more appropriate to the Boar's Head , though brought in less often , provides some ...
... less than five times ; 21 and ' sweet beef ' as a term of endearment22 requires no explaining . Nor is he only served up as beef ; pork , still more appropriate to the Boar's Head , though brought in less often , provides some ...
Strana 278
... less rapturously , less abso- lutely ? At what precise point ought a discreet regard for another human soul to check itself and say , " Thus far towards complete union will I advance , but here it is prudent to stop " ? Or are not ...
... less rapturously , less abso- lutely ? At what precise point ought a discreet regard for another human soul to check itself and say , " Thus far towards complete union will I advance , but here it is prudent to stop " ? Or are not ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called character Christian Claudio Coleridge conventions Cordelia cynicism death Desdemona divine DOVER WILSON drama dream Duke E. K. CHAMBERS effect Elizabethan emotion evil eyes fact Falstaff father feeling forgiveness give green world Hamlet hath Hazlitt heart heaven Henry human Iago idea imagery images imagination Isabel Juliet justice King Lear laughter lovers Lucio Macbeth Mariana Measure for Measure mind modern moral murder nature never night Ophelia Othello passion pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic comedies Romeo satire says scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy Shylock soul speak speare speare's speech spirit stage Stoll story suffering symbolic Tempest tetralogy thee theme Thersites things thou thought tion Troilus and Cressida true truth University villain whole Wilson Knight words