His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 46.
Strana 157
... live . Do thou but think What ' tis to cram a maw or clothe a back From such a filthy vice . Say to thyself ' From their abominable and beastly touches I drink , I eat , array myself , and live . ' Canst thou believe thy living is a ...
... live . Do thou but think What ' tis to cram a maw or clothe a back From such a filthy vice . Say to thyself ' From their abominable and beastly touches I drink , I eat , array myself , and live . ' Canst thou believe thy living is a ...
Strana 278
... lives each to the other less rapturously , less abso- lutely ? At what precise point ought a discreet regard for ... live . Shakspere did not intend that the feeling evoked by the last scene of this tragedy of Romeo and Juliet should ...
... lives each to the other less rapturously , less abso- lutely ? At what precise point ought a discreet regard for ... live . Shakspere did not intend that the feeling evoked by the last scene of this tragedy of Romeo and Juliet should ...
Strana 308
... live at all after the curtain goes down , is to confuse literature and life in a different way . The Lavinia on the stage does not live either- except in our imagination , where lives the Lavinia seen in the closing words of the stage ...
... live at all after the curtain goes down , is to confuse literature and life in a different way . The Lavinia on the stage does not live either- except in our imagination , where lives the Lavinia seen in the closing words of the stage ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young