His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Výsledky 1 - 3 z 69.
Strana 15
... merely the first to commit them to writing . That Shakspeare has accurately hit the essential costume , namely , the spirit of ages and nations , is at least generally acknowledged by the English critics ; but many sins against the ...
... merely the first to commit them to writing . That Shakspeare has accurately hit the essential costume , namely , the spirit of ages and nations , is at least generally acknowledged by the English critics ; but many sins against the ...
Strana 20
... merely one ingredient of the dramatic art , and not dramatic poetry itself . It would be improper in the extreme , if the poet were to draw our attention to superfluous traits of character , when he ought to endeavour to produce other ...
... merely one ingredient of the dramatic art , and not dramatic poetry itself . It would be improper in the extreme , if the poet were to draw our attention to superfluous traits of character , when he ought to endeavour to produce other ...
Strana 167
... merely for poking fun at him behind his back.'1o But that is not what Shakespeare wrote . Lucio , in the old days , had escaped marry- ing the mother of his child , by denying his parentage . The Duke , when he learns the truth , merely ...
... merely for poking fun at him behind his back.'1o But that is not what Shakespeare wrote . Lucio , in the old days , had escaped marry- ing the mother of his child , by denying his parentage . The Duke , when he learns the truth , merely ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young