His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 81.
Strana 29
... mind with the calm and elevated impression of perfect beauty and symmetrical proportion . The moderns also produced a whole , a more striking whole ; but it was by blending materials and fusing the parts together . And as the Pantheon ...
... mind with the calm and elevated impression of perfect beauty and symmetrical proportion . The moderns also produced a whole , a more striking whole ; but it was by blending materials and fusing the parts together . And as the Pantheon ...
Strana 344
... mind at all , appears in the shape of an allegory which we immediately reject . A similar conflict between imagination and sense will be found if we consider the dramatic centre of the whole tragedy , the Storm - scenes . The temptation ...
... mind at all , appears in the shape of an allegory which we immediately reject . A similar conflict between imagination and sense will be found if we consider the dramatic centre of the whole tragedy , the Storm - scenes . The temptation ...
Strana 387
... mind for some extra- ordinary event . But these are in reality twin aspects of the same func- tion : for music , like erotic sight , raises the consciousness until it is in tune with a reality beyond the reach of wisdom . ' Music ...
... mind for some extra- ordinary event . But these are in reality twin aspects of the same func- tion : for music , like erotic sight , raises the consciousness until it is in tune with a reality beyond the reach of wisdom . ' Music ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young