His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 76.
Strana 66
... never handled sword . Long since we were resolved of your truth , Your faithful service and your toil in war ; Yet never have you tasted our reward Or been reguerdon'd with so much as thanks , Because till now we never saw your face ...
... never handled sword . Long since we were resolved of your truth , Your faithful service and your toil in war ; Yet never have you tasted our reward Or been reguerdon'd with so much as thanks , Because till now we never saw your face ...
Strana 94
... never fails to enrich his discourse with allusions to eating and drinking , but we never see him at table . He carries his own larder about with him , and is himself ' a tun of man . ' ... MONSIEUR REMORSE Like all great Shakespearian ...
... never fails to enrich his discourse with allusions to eating and drinking , but we never see him at table . He carries his own larder about with him , and is himself ' a tun of man . ' ... MONSIEUR REMORSE Like all great Shakespearian ...
Strana 101
... never once lost his self - possession ; that he let out by a thousand droll looks and gestures - meant at us , and not at all supposed to be visible to his fellows in the scene , that his confidence in his own resources had never once ...
... never once lost his self - possession ; that he let out by a thousand droll looks and gestures - meant at us , and not at all supposed to be visible to his fellows in the scene , that his confidence in his own resources had never once ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young