His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
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Strana 39
... passion come and go like sounds of music borne on the wind . Nothing is made out by formal inference and analogy ... passion in Shakespeare is of the same nature as his delineation . of character . It is not some one habitual feeling or ...
... passion come and go like sounds of music borne on the wind . Nothing is made out by formal inference and analogy ... passion in Shakespeare is of the same nature as his delineation . of character . It is not some one habitual feeling or ...
Strana 258
... passion . " The downfall of the Shakespearean tragic hero is brought about through some fatal defect in the armor of " solid virtue " with which he faces the " shot of accident " and the " dart of chance " ( Othello , IV , i , 277–78 ) ...
... passion . " The downfall of the Shakespearean tragic hero is brought about through some fatal defect in the armor of " solid virtue " with which he faces the " shot of accident " and the " dart of chance " ( Othello , IV , i , 277–78 ) ...
Strana 270
... passion of equal volume , and possessing a like certainty and directness of advance with a passion shaped , determined , and for ever re - invigorated by positive , objective fact . Shakspere had become assured that the facts of the ...
... passion of equal volume , and possessing a like certainty and directness of advance with a passion shaped , determined , and for ever re - invigorated by positive , objective fact . Shakspere had become assured that the facts of the ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young