His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 87.
Strana 50
... play as play , overtly , in the dialogue itself , emphasizing verbally what the manner of production already implied : the co - existence of play world and real world in the minds of his audience . Perhaps when characters within a play ...
... play as play , overtly , in the dialogue itself , emphasizing verbally what the manner of production already implied : the co - existence of play world and real world in the minds of his audience . Perhaps when characters within a play ...
Strana 53
... play . ( V. ii . 884 ) The young Shakespeare , commenting in public on his technique , re- inforces the dual consciousness of play world and real world in the minds of his audience . A play so artificial may end quite appropriately with ...
... play . ( V. ii . 884 ) The young Shakespeare , commenting in public on his technique , re- inforces the dual consciousness of play world and real world in the minds of his audience . A play so artificial may end quite appropriately with ...
Strana 75
... Play than a developed Elizabethan drama ) , so England , though she is now quite excluded as a character , is the ... play the seeds that are to germinate in the next and by constant references back from a later play to an earlier . In 1 ...
... Play than a developed Elizabethan drama ) , so England , though she is now quite excluded as a character , is the ... play the seeds that are to germinate in the next and by constant references back from a later play to an earlier . In 1 ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
23 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young