His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 80.
Strana 9
... poet's world . SHAKESPEARE'S TRUTH TO LIFE NOTHING CAN PLEASE many , and please long , but just representations of ... poet of nature ; the poet that holds up to his readers a faithful mirrour of manners and of life . His characters are ...
... poet's world . SHAKESPEARE'S TRUTH TO LIFE NOTHING CAN PLEASE many , and please long , but just representations of ... poet of nature ; the poet that holds up to his readers a faithful mirrour of manners and of life . His characters are ...
Strana 16
... poet is not perceived as something abstracted , does not wear the appearance of meditation ( after thought ) . That idea of poetical inspiration , which many lyrical poets have brought into circulation , as if they were not in their ...
... poet is not perceived as something abstracted , does not wear the appearance of meditation ( after thought ) . That idea of poetical inspiration , which many lyrical poets have brought into circulation , as if they were not in their ...
Strana 284
... poet , as well as poet of the drama , in the management of his first scenes . With the single exception of Cymbeline , they either place before us at one glance both the past and the future in some effect , which implies the continuance ...
... poet , as well as poet of the drama , in the management of his first scenes . With the single exception of Cymbeline , they either place before us at one glance both the past and the future in some effect , which implies the continuance ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young