His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 86.
Strana 47
... poetry seriously , and to realize that , in Shake- speare , poetry and drama are not separable ingredients , but that the drama is a poetic creation , existing in the poetry like a Thomist universale in re . The suggestions of Mr. T. S. ...
... poetry seriously , and to realize that , in Shake- speare , poetry and drama are not separable ingredients , but that the drama is a poetic creation , existing in the poetry like a Thomist universale in re . The suggestions of Mr. T. S. ...
Strana 400
... poetry , and especially dramatic poetry , really is . He speaks of Shake- speare being bored " with everything except poetry and poetical dreams . " What do we know of Shakespeare " except poetry and poetical dreams ? " And are not ...
... poetry , and especially dramatic poetry , really is . He speaks of Shake- speare being bored " with everything except poetry and poetical dreams . " What do we know of Shakespeare " except poetry and poetical dreams ? " And are not ...
Strana 407
... poetry is immoral , or as we should put it to - day a - moral , in its influence ; an objection which , he main- tains , “ rests upon a misconception of the manner in which poetry acts to produce the moral improvement of man . " Ethical ...
... poetry is immoral , or as we should put it to - day a - moral , in its influence ; an objection which , he main- tains , “ rests upon a misconception of the manner in which poetry acts to produce the moral improvement of man . " Ethical ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young