Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 74.
Strana 103
ON SHAKESPEARE'S ROMANTIC COMEDIES FEW CRITICS SINCE Samuel Johnson have shared his opinion that Shakespeare's comedies are superior to his tragedies . The romantic critics , not given to humor , neglected them in favor of the tragedies ...
ON SHAKESPEARE'S ROMANTIC COMEDIES FEW CRITICS SINCE Samuel Johnson have shared his opinion that Shakespeare's comedies are superior to his tragedies . The romantic critics , not given to humor , neglected them in favor of the tragedies ...
Strana 119
... having cracked the conventions of Elizabethan drama in which it was confined in the romantic comedies , emerges full - blown ; the comic Saturnalia of Falstaff is a temporary escape from the normal world , which it does not affect ...
... having cracked the conventions of Elizabethan drama in which it was confined in the romantic comedies , emerges full - blown ; the comic Saturnalia of Falstaff is a temporary escape from the normal world , which it does not affect ...
Strana 430
... and 317–319 ; tragic justice in , ( Siegel ) Measure for Measure , ( Chambers ) 320_322 187-190 ; religious atmosphere of , ( Knight ) 382–395 romantic comedies : See comedy passions : naturalness of , ( Johnson ) romantic criticism ...
... and 317–319 ; tragic justice in , ( Siegel ) Measure for Measure , ( Chambers ) 320_322 187-190 ; religious atmosphere of , ( Knight ) 382–395 romantic comedies : See comedy passions : naturalness of , ( Johnson ) romantic criticism ...
Čo hovoria ostatní - Napísať recenziu
Na obvyklých miestach sme nenašli žiadne recenzie.
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 13 |
Contents xi | 15 |
Autorské práva | |
13 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience beauty become Bradley bring called cause character Christian comedy comes comic course critics death divine drama Duke effect Elizabethan emotion evil expression eyes fact Falstaff father feeling figure final follow force give Hamlet hand heart heaven Henry hero human idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure merely mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reason regard Richard romantic Romeo scene seems seen sense Shake Shakespeare shows Shylock soul speak speech spirit stage story suffering suggests symbolic Tempest theme things thou thought tion tragedy tragic Troilus true truth turn University whole young