His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 85.
Strana 283
... scene , one integral stretch of action ; and its common mutilation by Scene iv . Hall in Capulet's house . . . Scene v . Juliet's chamber . Enter Nurse ... , with the consequences involved , is sheer editorial murder . SAMUEL TAYLOR ...
... scene , one integral stretch of action ; and its common mutilation by Scene iv . Hall in Capulet's house . . . Scene v . Juliet's chamber . Enter Nurse ... , with the consequences involved , is sheer editorial murder . SAMUEL TAYLOR ...
Strana 284
... scene of Romeo and Juliet ; or in the degrading passion for shews and public spectacles , and the over- whelming attachment for the newest successful war - chief in the Roman people , already become a populace , contrasted with the ...
... scene of Romeo and Juliet ; or in the degrading passion for shews and public spectacles , and the over- whelming attachment for the newest successful war - chief in the Roman people , already become a populace , contrasted with the ...
Strana 408
... scene iii , but the far more interesting repentance of Prospero in Act v altogether es- capes him . In short , he has missed the point of the play , which cul- minates not in Act III but in the unexpected scene of forgiveness and ...
... scene iii , but the far more interesting repentance of Prospero in Act v altogether es- capes him . In short , he has missed the point of the play , which cul- minates not in Act III but in the unexpected scene of forgiveness and ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
23 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young