His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 56.
Strana 151
... seen , shuddered at him and laughed at him ; and except at popular performances , where racial antipathy is rather to be allayed than fomented , so should we , as much as in us lies , do to - day . Thus we shall come into sympathy with ...
... seen , shuddered at him and laughed at him ; and except at popular performances , where racial antipathy is rather to be allayed than fomented , so should we , as much as in us lies , do to - day . Thus we shall come into sympathy with ...
Strana 324
... seen by a person looking down the street from one extremity . Now in all cases , unless the person has happened to observe in pictures how it is that artists produce these effects , he will be utterly unable to make the smallest ...
... seen by a person looking down the street from one extremity . Now in all cases , unless the person has happened to observe in pictures how it is that artists produce these effects , he will be utterly unable to make the smallest ...
Strana 364
... seen Athens evacuated , occupied by the Persian host , and utterly destroyed . He had seen the enemy in turn miserably slaughtered , and with a lifetime of crowded experience behind him and with the wisdom of old age he wrote how Zeus ...
... seen Athens evacuated , occupied by the Persian host , and utterly destroyed . He had seen the enemy in turn miserably slaughtered , and with a lifetime of crowded experience behind him and with the wisdom of old age he wrote how Zeus ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young