His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 69.
Strana 262
... sense of tragic waste we feel in witnessing the suffering of the comparatively innocent heroes Hamlet and Lear , so the intimation of hell does not destroy our ... sense of dramatic inevitability , but this sense 262 HIS INFINITE VARIETY.
... sense of tragic waste we feel in witnessing the suffering of the comparatively innocent heroes Hamlet and Lear , so the intimation of hell does not destroy our ... sense of dramatic inevitability , but this sense 262 HIS INFINITE VARIETY.
Strana 344
... sense will be found if we consider the dramatic centre of the whole tragedy , the Storm - scenes . The temptation of Othello and the scene of Duncan's murder may lose upon the stage , but they do not lose their essence , and they gain ...
... sense will be found if we consider the dramatic centre of the whole tragedy , the Storm - scenes . The temptation of Othello and the scene of Duncan's murder may lose upon the stage , but they do not lose their essence , and they gain ...
Strana 350
... sense of that word , would imply a criti- cism which is not intended , and which would make it difficult to leave the work in the position almost universally assigned to it . But in fact these descriptions , like most of the remarks ...
... sense of that word , would imply a criti- cism which is not intended , and which would make it difficult to leave the work in the position almost universally assigned to it . But in fact these descriptions , like most of the remarks ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
23 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called character Christian Claudio Coleridge conventions Cordelia cynicism death Desdemona divine DOVER WILSON drama dream Duke E. K. CHAMBERS effect Elizabethan emotion evil eyes fact Falstaff father feeling forgiveness give green world Hamlet hath Hazlitt heart heaven Henry human Iago idea imagery images imagination Isabel Juliet justice King Lear laughter lovers Lucio Macbeth Mariana Measure for Measure mind modern moral murder nature never night Ophelia Othello passion pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic comedies Romeo satire says scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy Shylock soul speak speare speare's speech spirit stage Stoll story suffering symbolic Tempest tetralogy thee theme Thersites things thou thought tion Troilus and Cressida true truth University villain whole Wilson Knight words