His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 68.
Strana 302
... soul persists in time too ; and both are horrible . His consciousness , functioning in terms of evil and negation , sees Hell but not Heaven . But the intuitive faith , or love , or purpose , by which we must live if we are to remain ...
... soul persists in time too ; and both are horrible . His consciousness , functioning in terms of evil and negation , sees Hell but not Heaven . But the intuitive faith , or love , or purpose , by which we must live if we are to remain ...
Strana 369
... soul of Lear under the influence of Cordelia - and likewise in the soul of Gloucester , under the guidance of his pious son . In the first scene , By all the operation of the orbs From whom we do exist and cease to be Lear had ...
... soul of Lear under the influence of Cordelia - and likewise in the soul of Gloucester , under the guidance of his pious son . In the first scene , By all the operation of the orbs From whom we do exist and cease to be Lear had ...
Strana 391
... soul . He is now the object of his own search , and no other theme but that of his visionary self is now of power to ... soul to the composi- tion of The Tempest . 3 I would now repudiate the unnecessary use of such words as ' spiritual ...
... soul . He is now the object of his own search , and no other theme but that of his visionary self is now of power to ... soul to the composi- tion of The Tempest . 3 I would now repudiate the unnecessary use of such words as ' spiritual ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young