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Strana 131
Perhaps the dominant view today regards Shylock as the comical villain pictured by Stoll but holds that Shakespeare , with his genius for identifying himself with his characters , caused him to speak for himself so that , at least for a ...
Perhaps the dominant view today regards Shylock as the comical villain pictured by Stoll but holds that Shakespeare , with his genius for identifying himself with his characters , caused him to speak for himself so that , at least for a ...
Strana 151
Critics speak as if it were impossible for Shylock to mean anything to us unless thus sentimentalized and tragicalized . Indeed , as we moderns have done with many another rough customer in history , literature , or holy writ , we have ...
Critics speak as if it were impossible for Shylock to mean anything to us unless thus sentimentalized and tragicalized . Indeed , as we moderns have done with many another rough customer in history , literature , or holy writ , we have ...
Strana 168
... Duke and Magnificoes , we may surely allow the Duke of Vienna to understand the law of his own state . It is a postulate of the story . Critics speak as if Shakespeare had imagined Claudio a selfindulgent boy , a ' poor weak soul.
... Duke and Magnificoes , we may surely allow the Duke of Vienna to understand the law of his own state . It is a postulate of the story . Critics speak as if Shakespeare had imagined Claudio a selfindulgent boy , a ' poor weak soul.
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Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 13 |
Contents xi | 15 |
Autorské práva | |
13 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience beauty become Bradley bring called cause character Christian comedy comes comic course critics death divine drama Duke effect Elizabethan emotion evil expression eyes fact Falstaff father feeling figure final follow force give Hamlet hand heart heaven Henry hero human idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure merely mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reason regard Richard romantic Romeo scene seems seen sense Shake Shakespeare shows Shylock soul speak speech spirit stage story suffering suggests symbolic Tempest theme things thou thought tion tragedy tragic Troilus true truth turn University whole young