His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Výsledky 1 - 3 z 48.
Strana 144
... speech that to - day moves us most is ' Hath not a Jew eyes ? ' etc. , discussed above . This , again , is the speech not so much of a comic character as of a villain ; and like other villains in Shakespeare , as we have seen , he is ...
... speech that to - day moves us most is ' Hath not a Jew eyes ? ' etc. , discussed above . This , again , is the speech not so much of a comic character as of a villain ; and like other villains in Shakespeare , as we have seen , he is ...
Strana 177
... speech , comment on the beauty of her goodness ? This is intelligible only if Shakespeare means Isabel's speech to be an agonized outcry , working on her brother as no calm reasoning could have done . If Shake- speare's critics think ...
... speech , comment on the beauty of her goodness ? This is intelligible only if Shakespeare means Isabel's speech to be an agonized outcry , working on her brother as no calm reasoning could have done . If Shake- speare's critics think ...
Strana 306
... speech : - Virtue ? a fig ! ' tis in ourselves , that we are thus , or thus , & c . This speech comprises the passionless character of Iago . It is all will in intellect ; and therefore he is here a bold partizan of a truth , but yet of ...
... speech : - Virtue ? a fig ! ' tis in ourselves , that we are thus , or thus , & c . This speech comprises the passionless character of Iago . It is all will in intellect ; and therefore he is here a bold partizan of a truth , but yet of ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young