His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Strana 57
... stage audience , as in The Taming of the Shrew or Kyd's The Spanish Tragedy , further illustrates the same preoccupation . An audience watches a stage audience watching a play and so be- comes simultaneously aware of three planes of ...
... stage audience , as in The Taming of the Shrew or Kyd's The Spanish Tragedy , further illustrates the same preoccupation . An audience watches a stage audience watching a play and so be- comes simultaneously aware of three planes of ...
Strana 200
... stage for its full effect to be conveyed . At the back on the inner stage , are Cressida and Diomed , the main focus of attention ; on one side of the front stage are Troilus and Ulysses ; Thersites is on the other . Cressida and Diomed ...
... stage for its full effect to be conveyed . At the back on the inner stage , are Cressida and Diomed , the main focus of attention ; on one side of the front stage are Troilus and Ulysses ; Thersites is on the other . Cressida and Diomed ...
Strana 282
... stage was anywhere downstairs in Capulet's house . The upper stage was associated with Juliet ; it had served for her balcony and had been put to no other use . So while Capulet is planning the marriage with Paris not only will our ...
... stage was anywhere downstairs in Capulet's house . The upper stage was associated with Juliet ; it had served for her balcony and had been put to no other use . So while Capulet is planning the marriage with Paris not only will our ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young