His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 65.
Strana 164
... story of Jacob's service for Rachel , which ' seemed unto him but a few days , for the love he had to her . ' Sir Edmund Chambers is entitled to say that the story of the sub- stituted bride ' does not commend itself to the modern ...
... story of Jacob's service for Rachel , which ' seemed unto him but a few days , for the love he had to her . ' Sir Edmund Chambers is entitled to say that the story of the sub- stituted bride ' does not commend itself to the modern ...
Strana 355
... story would end ( as in the versions they knew ) by her despair and suicide . Shakespeare makes it clear at once that he is not conceiving the story so . Cordelia turns to Lear : For thee , oppressed king , am I cast down ; Myself could ...
... story would end ( as in the versions they knew ) by her despair and suicide . Shakespeare makes it clear at once that he is not conceiving the story so . Cordelia turns to Lear : For thee , oppressed king , am I cast down ; Myself could ...
Strana 356
... story that he allows Lear ( for the moment ) to slip out of the memory of his audience . If anyone still doubts that Shakespeare remodels the story to save Cordelia from despair , let him consider this fact . Shakespeare has provided in ...
... story that he allows Lear ( for the moment ) to slip out of the memory of his audience . If anyone still doubts that Shakespeare remodels the story to save Cordelia from despair , let him consider this fact . Shakespeare has provided in ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young