His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Strana 105
... tion works which differ from each other as widely as The Comedy of Errors , Measure for Measure , and The Tempest ; but if we cannot seize it as a whole , we may see from a little distance this side and that of comedy as understood by ...
... tion works which differ from each other as widely as The Comedy of Errors , Measure for Measure , and The Tempest ; but if we cannot seize it as a whole , we may see from a little distance this side and that of comedy as understood by ...
Strana 124
... tion in the ritual . Even in New Comedy the dramatist usually tries to bring his action as close to a tragic overthrow of the hero as he can get it , and reverses this movement as suddenly as possible . In Plautus the tricky slave is ...
... tion in the ritual . Even in New Comedy the dramatist usually tries to bring his action as close to a tragic overthrow of the hero as he can get it , and reverses this movement as suddenly as possible . In Plautus the tricky slave is ...
Strana 352
... tion that Lear dies in ecstasy . He finds , however , in Lear's belief that Cordelia is alive a symbolic truth which Bradley does not . In this he anticipates Oscar James Campbell , who in his 1948 article " The Salva- tion of Lear ...
... tion that Lear dies in ecstasy . He finds , however , in Lear's belief that Cordelia is alive a symbolic truth which Bradley does not . In this he anticipates Oscar James Campbell , who in his 1948 article " The Salva- tion of Lear ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
A. C. Bradley action Angelo audience beauty Bradley called character Christian Claudio Coleridge conventions Cordelia cynicism death Desdemona divine DOVER WILSON drama dream Duke E. K. CHAMBERS effect Elizabethan emotion evil eyes fact Falstaff father feeling forgiveness give green world Hamlet hath Hazlitt heart heaven Henry human Iago idea imagery images imagination Isabel Juliet justice King Lear laughter lovers Lucio Macbeth Mariana Measure for Measure mind modern moral murder nature never night Ophelia Othello passion pity play plot poet poetic poetry Prince Problem Comedies Prospero repentance Richard Richard II romantic comedies Romeo satire says scene sense Shake Shakespeare Shakespearean criticism Shakespearean tragedy Shylock soul speak speare speare's speech spirit stage Stoll story suffering symbolic Tempest tetralogy thee theme Thersites things thou thought tion Troilus and Cressida true truth University villain whole Wilson Knight words