His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
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Strana 123
... tragedy . Tragedy , we are told , is expected to raise but not ultimately to accept the emotions of pity and terror . These I take to be the sense of moral good and evil , respectively , which we attach to the tragic hero . He may be as ...
... tragedy . Tragedy , we are told , is expected to raise but not ultimately to accept the emotions of pity and terror . These I take to be the sense of moral good and evil , respectively , which we attach to the tragic hero . He may be as ...
Strana 251
... TRAGEDY AND THE ELIZABETHAN COMPROMISE 1 " A TRAGIC WRITER , " says Joseph Wood Krutch , " does not have to believe in God , but he must believe in man ... Tragedies 251 The Substance of Shakespearean Tragedy and Elizabethan Compromise.
... TRAGEDY AND THE ELIZABETHAN COMPROMISE 1 " A TRAGIC WRITER , " says Joseph Wood Krutch , " does not have to believe in God , but he must believe in man ... Tragedies 251 The Substance of Shakespearean Tragedy and Elizabethan Compromise.
Strana 420
... Tragedy , " Studies in Philology , XXXVIII , 1941. Guilt , repentance and damnation in Hamlet , Macbeth and Othello . Ribner , Irving , Patterns in Shakespearean Tragedy , London : Methuen , 1960. Development of Shakespearean tragedy in ...
... Tragedy , " Studies in Philology , XXXVIII , 1941. Guilt , repentance and damnation in Hamlet , Macbeth and Othello . Ribner , Irving , Patterns in Shakespearean Tragedy , London : Methuen , 1960. Development of Shakespearean tragedy in ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
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action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young