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Strana 123
Volpone is starting to move toward tragedy , toward the vision of a greatness which develops hybris and catastrophe . The same principle is even clearer in Aristophanes . Aristophanes is the most personal of writers : his opinions on ...
Volpone is starting to move toward tragedy , toward the vision of a greatness which develops hybris and catastrophe . The same principle is even clearer in Aristophanes . Aristophanes is the most personal of writers : his opinions on ...
Strana 251
spearean tragedy to have as its basis Christian humanism , not secular humanism or scholastic philosophy , and who find it to be profoundly affected by the allegorical tradition , although not allegorical itself , are in the position of ...
spearean tragedy to have as its basis Christian humanism , not secular humanism or scholastic philosophy , and who find it to be profoundly affected by the allegorical tradition , although not allegorical itself , are in the position of ...
Strana 420
SHAKESPEARE'S TRAGEDIES Campbell , Lily B. , Shakespeare's Tragic Heroes , Slaves of Passion , 1930 . ... Myrick , Kenneth O. , " The Theme of Damnation in Shakespearean Tragedy , ” Studies in Philology , XXXVIII , 1941.
SHAKESPEARE'S TRAGEDIES Campbell , Lily B. , Shakespeare's Tragic Heroes , Slaves of Passion , 1930 . ... Myrick , Kenneth O. , " The Theme of Damnation in Shakespearean Tragedy , ” Studies in Philology , XXXVIII , 1941.
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Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 13 |
Contents xi | 15 |
Autorské práva | |
13 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience beauty become Bradley bring called cause character Christian comedy comes comic course critics death divine drama Duke effect Elizabethan emotion evil expression eyes fact Falstaff father feeling figure final follow force give Hamlet hand heart heaven Henry hero human idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure merely mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reason regard Richard romantic Romeo scene seems seen sense Shake Shakespeare shows Shylock soul speak speech spirit stage story suffering suggests symbolic Tempest theme things thou thought tion tragedy tragic Troilus true truth turn University whole young