His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 60.
Strana 208
... tragic dimensions . And , conversely , if these persons were put in the place of the tragic heroes , the dramas in which they appeared would cease to be tragedies . Posthumus would never have acted as Othello did ; Othello , on his side ...
... tragic dimensions . And , conversely , if these persons were put in the place of the tragic heroes , the dramas in which they appeared would cease to be tragedies . Posthumus would never have acted as Othello did ; Othello , on his side ...
Strana 209
... tragic feelings . Shakespeare gives to Richard therefore a power which excites astonishment , and a courage which extorts admiration . He gives to Macbeth a similar , though less extraordinary , greatness , and adds to it a conscience ...
... tragic feelings . Shakespeare gives to Richard therefore a power which excites astonishment , and a courage which extorts admiration . He gives to Macbeth a similar , though less extraordinary , greatness , and adds to it a conscience ...
Strana 261
... tragic impressions , and regarded alone , could hardly be called tragic . It implies that the tragic world . . . is no final reality , but only a part of reality taken for the whole , and , when so taken , illusive ; and that if we ...
... tragic impressions , and regarded alone , could hardly be called tragic . It implies that the tragic world . . . is no final reality , but only a part of reality taken for the whole , and , when so taken , illusive ; and that if we ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young