His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 54.
Strana 143
... turn , not only against Gratiano , but against Portia , the Duke , and all Venice as well ? But Shakespeare's scene ... turning of the tables . Even without it , Shylock could quite well have been made to swallow the medicine , drop by ...
... turn , not only against Gratiano , but against Portia , the Duke , and all Venice as well ? But Shakespeare's scene ... turning of the tables . Even without it , Shylock could quite well have been made to swallow the medicine , drop by ...
Strana 146
... turn it into a plea for equal treatment at the outset . Of itself , to be sure , provided we can forget both beginning and end and the far from mitigating circumstances , this celebrated defence might touch us . In this regard it is ...
... turn it into a plea for equal treatment at the outset . Of itself , to be sure , provided we can forget both beginning and end and the far from mitigating circumstances , this celebrated defence might touch us . In this regard it is ...
Strana 206
... turn has cast light upon that thought and emotion by illuminating the tragedies which were a product of the age . In the portion of the chapter before our selection , Bradley has analyzed Shakespearean tragedy as a story of " human ...
... turn has cast light upon that thought and emotion by illuminating the tragedies which were a product of the age . In the portion of the chapter before our selection , Bradley has analyzed Shakespearean tragedy as a story of " human ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young