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Strana 143
How can we here for a moment sympathize with Shylock unless at the same time we indignantly turn , not only against Gratiano , but against Portia , the Duke , and all Venice as well ? But Shakespeare's scene it is — Shakespeare's comedy ...
How can we here for a moment sympathize with Shylock unless at the same time we indignantly turn , not only against Gratiano , but against Portia , the Duke , and all Venice as well ? But Shakespeare's scene it is — Shakespeare's comedy ...
Strana 146
He is putting in a plea for the right of revenge ; we turn it into a plea for equal treatment at the outset . Of itself , to be sure , provided we can forget both beginning and end and the far from mitigating circumstances ...
He is putting in a plea for the right of revenge ; we turn it into a plea for equal treatment at the outset . Of itself , to be sure , provided we can forget both beginning and end and the far from mitigating circumstances ...
Strana 206
Other portions of his analysis may need to be modified in the light of what we have learned about the thought and emotion of the Elizabethan age , but his analysis in turn has cast light upon that thought and emotion by illuminating the ...
Other portions of his analysis may need to be modified in the light of what we have learned about the thought and emotion of the Elizabethan age , but his analysis in turn has cast light upon that thought and emotion by illuminating the ...
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Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 13 |
Contents xi | 15 |
Autorské práva | |
13 zvyšných častí nezobrazených
Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience beauty become Bradley bring called cause character Christian comedy comes comic course critics death divine drama Duke effect Elizabethan emotion evil expression eyes fact Falstaff father feeling figure final follow force give Hamlet hand heart heaven Henry hero human idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure merely mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reason regard Richard romantic Romeo scene seems seen sense Shake Shakespeare shows Shylock soul speak speech spirit stage story suffering suggests symbolic Tempest theme things thou thought tion tragedy tragic Troilus true truth turn University whole young