His Infinite Variety: Major Shakespearean Criticism Since JohnsonPaul N. Siegel Books for Libraries Press, 1972 - 432 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 87.
Strana 27
... whole ? — Or is the form equally admirable with the matter , and the judgment of the great poet , not less deserving our wonder than his genius ? —Or , again , to repeat the question in other words : -Is Shakspeare a great dramatic poet ...
... whole ? — Or is the form equally admirable with the matter , and the judgment of the great poet , not less deserving our wonder than his genius ? —Or , again , to repeat the question in other words : -Is Shakspeare a great dramatic poet ...
Strana 29
... whole , filled the mind with the calm and elevated impression of perfect beauty and symmetrical proportion . The moderns also produced a whole , a more striking whole ; but it was by blending materials and fusing the parts together ...
... whole , filled the mind with the calm and elevated impression of perfect beauty and symmetrical proportion . The moderns also produced a whole , a more striking whole ; but it was by blending materials and fusing the parts together ...
Strana 330
... whole green ocean red ; of Lady Macbeth , gazing at hers , and stretching it away from her face to escape the smell of blood that all the perfumes of Arabia will not subdue ! The most horrible lines in the whole tragedy are those of her ...
... whole green ocean red ; of Lady Macbeth , gazing at hers , and stretching it away from her face to escape the smell of blood that all the perfumes of Arabia will not subdue ! The most horrible lines in the whole tragedy are those of her ...
Obsah
The Purpose and Organization of the Book | 1 |
The Art of Shakespeares Romantic Drama | 12 |
Contents | 15 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
His Infinite Variety: Major Shakespearean Criticism Since Johnson Paul N. Siegel Zobrazenie úryvkov - 1964 |
Časté výrazy a frázy
action Angelo appears audience become Bradley bring called cause character Christian comedy comes comic conventions course critics death divine drama Duke effect Elizabethan evil expression eyes fact Falstaff father feeling figure final follow give Hamlet hand heart heaven Henry hero human Iago idea images imagination impression Isabel Juliet justice keep kind King Lear less light live look Macbeth means Measure Measure for Measure mind moral nature never night once Othello passion perhaps persons picture play poet poetry present Prince reading reason regard Richard romantic Romeo satire says scene seems seen sense Shake Shakespeare shows Shylock side soul speak speech spirit stage story suffering suggests symbolic theme things thou thought tion tragedy tragic Troilus true truth turn University whole young