 I mean to speak of him in the language of our art. To speak then of Vanbrugh in the language of a painter, he had originality of invention, he understood light and shadow, and had great skill in composition. To support his principal object he produced...  The European Magazine, and London Review - Strana 1551787Úplné zobrazenie - O tejto knihe
 | William Seward - 1796 - Počet stránok 430
...a f* grove, where the fmaller branches meet at top. The " To fpeak of Vanbrugh," adds Sir Jofhua, " in the language of a Painter, he had originality " of invention ; he underftood light and fhadow, *c and had great fkill in compofuion. To fup" port his principal objeft, he produced his fecond... | |
 | William Seward - 1796 - Počet stránok 418
...f grove, where the fmaller branches meet at top. The " To fpcak of Vanbrugh," ado's Sir Joftua, ** in the language of a Painter, he had originality " of invention ; he underftood light and fhadow, *' and had great fkill in compofition. To fup" port his principal object, he produced his fecond... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - Počet stránok 452
...When I speak of Vanbrugh, I mean to speak of him in the language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light and shadow, and had great skill in composition. To support his principal object, he... | |
 | sir Joshua Reynolds - 1801 - Počet stránok 450
...I speak of Vanbrugh, I mean to speak of him in the i language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light and shadow, and had great skill in composition. To support his principal object, he... | |
 | Alexander Chalmers - 1816 - Počet stránok 528
...artist is more concerned than with absolute truth." — "To speak of Vanbrugh," adds sir Joshua, " in the language of a painter, he had originality of invention ; he understood light and shadow, and had great skill in composition. To support his principal object, he... | |
 | Alexander Chalmers - 1816 - Počet stránok 520
...artist is more concerned than with absolute truth." — " To speak of Vanbrugh," adds sir Joshua, " in the language of a painter, he had originality of invention ; he understood light and shadow, and had great skill in composition. To support his principal object, he... | |
 | sir Joshua Reynolds - 1819 - Počet stránok 440
...When I speak of Vanbrugh, I mean to speak of him in the language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light and shadow, and had great skill in composition. To support his principal object, he... | |
 | Sir Joshua Reynolds - 1819 - Počet stránok 446
...When I speak of Vanbrugh, I mean to speak of him in the language of our art. To speak then of Vanbrugh in the language of a Painter, he had originality of invention, he understood light and shadow, and had great skill in composition. To support his principal object, he... | |
 | Sir Joshua Reynolds - 1824 - Počet stránok 324
...speak then of Vanbrugh in the language of a painter, he had ori* ginality of invention, he understood light and shadow, and had great skill in composition. To support his principal objects, he produced his second and third groups or masses; he perfectly understood in his art what... | |
 | Allan Cunningham - 1831 - Počet stránok 438
...as a painter. When I speak of Vanbrugh, I speak of him merely on our art. To speak then of Vanbrugh in the language of a painter, he had originality of invention ; he understood light and shadow, and had great skill in composition. To support his principal object he... | |
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