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CAMP. Night in a camp.

From camp to camp, through the foul womb of night The hum of either army stilly sounds,

That the fix'd sentinels almost receive

The secret whispers of each other's watch:
Fire answers fire, and through their paly flames
Each battle sees the other's umber'd face:
Steed threatens steed, in high and boastful neighs
Piercing the night's dull ear; and from the tents,
The armourers, accomplishing the knights,
With busy hammers closing rivets up,
Give dreadful note of preparation.

The country cocks do crow, the clocks do toll,
And the third hour of drowsy morning name.
Proud of their numbers, and secure in soul,
The confident and over-lusty French
Do the low-rated English play at dice,
And chide the cripple tardy-gaited night,
Who, like a foul and ugly witch, doth limp
So tediously away. The poor condemned English,
Like sacrifices, by their watchful fires

Sit patiently, and inly ruminate

The morning's danger; and their gesture sad,
Investing lank-lean cheeks, and war-worn coats,
Presenteth them unto the gazing moon

So many horrid ghosts. O, now, who will behold
The royal captain of this ruin'd band,
Walking from watch to watch, from tent to tent,
Let him cry-Praise and glory on his head!
For forth he goes, and visits all his host;
Bids them good-morrow, with a modest smile;

And calls them-brothers, friends, and country-men.

Upon his royal face there is no note,

How dread an army hath enrounded him;
Nor doth he dedicate one jot of colour
Unto the weary and all-watched night:
But freshly looks, and overbears attaint,
With cheerful semblance, and sweet majesty,
That every wretch, pining and pale before,

Beholding him, plucks comfort from bis looks:
A largess universal, like the sun

His liberal eye doth give to every one,
Thawing cold fear.

CASSIUS. Cæsar's Dislike of.

Shakspeare.

Would he were fatter!-But I fear him not:
Yet if my name were liable to fear,

I do not know the man I should avoid
So soon as that spare Cassius.

He reads much;

He is a great observer, and he looks

Quite through the deeds of men: he loves no plays,
As thou dost, Antony; he hears no music:
Seldom he smiles; and smiles in such a sort,
As if he mock'd himself, and scorn'd his spirit
That could be mov'd to smile at any thing;
Such men as he be never at heart's ease,
Whiles they behold a greater than themselves;
And therefore are they very dangerous.

I rather tell thee what is to be fear'd,

Than what I fear, for always I am Cæsar. Shakspeare.
CATARACT OF VELINO.

The roar of waters!-from the headlong height
Velino cleaves the wave-worn precipice;
The fall of waters! rapid as the light
The flashing mass foams shaking the abyss;
The hell of waters! where they howl and hiss,
And boil in endless torture; while the sweat
Of their great agony, wrung out from this
Their Phlegethon, curls round the rocks of jet
That gird the gulf around, in pitiless horror set,

And mounts in spray the skies, and thence, again
Returns in an unceasing shower, which round,
With its unemptied cloud of gentle rain,
Is an eternal April to the ground,
Making it all one emerald.-How profound
The gulf! and how the giant element
From rock to rock leaps with delirious bound,

Crushing the cliffs, which, downward worn and rent With his fierce footsteps, yield in chasms a fearful vent.

To the broad column which rolls on, and shows
More like the fountain of an infant sea
Torn from the womb of mountains by the throes
Of a new world, than only thus to be
Parent of rivers, which flow gushingly,

With many windings, through the vale:-Look back!
Lo! where it comes like an eternity,

As if to sweep down all things in its track, Charming the eye with dread,- -a matchless cataract

Horribly beautiful! but on the verge,

From side to side, beneath the glittering morn,
An Iris sits, amidst the infernal surge,
Like hope upon a death-bed, and, unworn
Its steady dyes, while all around is torn
By the distracted waters, bears serene
Its brilliant hues with all their beams unshorn,
Resembling, 'mid the torture of the scene,
Love watching madness with unalterable mien. Byron.
CENSURE. Who deserve.

Instructive Satire, true to virtue's cause,
Thou shining supplement of public laws!
When flatter'd crimes of a licentious age
Reproach our silence, and demand our rage.-
When churchmen scripture for the classics quit:
Polite apostates from God's grace to wit;
When men grow great from their revenue spent ;
And fly from bailiffs into parliament;

When dying sinners, to blot out their score
Bequeath the church the leavings of a whore-

To chafe our spleen when themes like these increase,
Shall panegyric reign and censure cease?

CEREMONY. Bigot's Regard for

Then Ceremony leads her bigots forth, Prepar'd to fight for shadows of no worth;

Young

While truths, on which eternal things depend,
Find not, or hardly find, a single friend:
As soldiers watch the signal of command,
They learn to bow, to kneel, to sit, to stand;
Happy to fill religion's vacant place

With hollow form, and gesture, and grimace. Cowper.

CHAOS. Satan's Meeting with.

So eagerly the Fiend

O'er bog, or steep, thro' strait, rough, dense, or rare,
With head, hands, wings, or feet, pursues his way
And swims, or sinks, or wades, or creeps, or flies:
At length a universal hubbub wild

Of stunning sounds and voices all confus'd,
Borne through the hollow dark, assaults his ear
With loudest vehemence: thither he plies,
Undaunted to meet there whatever power
Or Spirit of the nethermost abyss

Might in that noise reside, of whom to ask
Which way the nearest coast of darkness lics
Bord'ring on light; when strait behold the throne
Of Chaos, and his dark pavilion spread
Wide on the wasteful deep; with him enthron'd,
Sat sable-vested Night, eldest of things,
The consort of his reign; and by them stood
Orcus and Ades, and the dreaded name
Of Demogorgon; Rumour next, and Chance,
And tumult and Confusion, all embroil'd,

And Discord, with a thousand various mouths. Milton.

CHATHAM. Lord, Character of.

Not so the virtue still adorns our age,
Though the chief actor died upon the stage.
In him Demosthenes was heard again,
Liberty taught him her Athenian strain,
She cloth'd him with authority and awe,
Spoke from his lips, and in his looks gave law.
His speech, his form, his action, full of grace,
And all his country beaming in his face,

He stood, as some inimitable hand

Would strive to make a Paul or Tully stand.
No sycophant or slave, that dar'd oppose
Her sacred cause, but trembl'd when he rose,
And ev'ry venal stickler for the yoke

Felt himself crush'd at the first word he spoke. Cowper.

CHEERFULNESS.

Let me play the fool:

With mirth and laughter let old wrinkles come;
And let my liver rather heat with wine,
Than my heart cool with mortifiying groans.
Why should a man, whose blood is warm within,
Sit like his grandsire cut in alabaster?

Sleep when he wakes? and creep into the jaundice
By being peevish?
Shakspeare

CHLOE. Character of

"Yet Chloe sure was form'd without a spot."
Nature in her then err'd not, but forgot.
"With ev'ry pleasing, ev'ry prudent part,

"Say, what can Chole want?"-She wants a heart.
She speaks, behaves, and acts just as she ought,
But never, never reach'd one gen'rous thought.
Virtue she finds too painful an endeavour;

Content to dwell in decencies for ever.

So very reasonable, so unmov'd,

As never yet to love, or to be lov'd.

CHREMES.

Pope.

Character of.

Chremes, for airy pensions of renown,

Devotes his service to the state and crown;

All schemes he knows, and knowing all improves;
Though Britain's thankless, stil! this patriot loves.

-Knows for each day the weather of our fate;

A quidnunc is an almanack of state.

You smile, and think this statesman void of use, Why may not time his secret worth produce?

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