From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 47.
Strana 60
... Iago's instruction demands attention to and participation in a meaningful perceptual illusion . The miming , Iago teaches , is the language of dumbness , indeed , the clue to " where , how , how oft , how long ago , and when / He hath ...
... Iago's instruction demands attention to and participation in a meaningful perceptual illusion . The miming , Iago teaches , is the language of dumbness , indeed , the clue to " where , how , how oft , how long ago , and when / He hath ...
Strana 123
... Iago does most of the killing of Desdemona , but in the play he is not allowed into the bedchamber until after she ... Iago is brought back to the chamber after his attempted escape , Othello responds to the percept of Iago's figure ...
... Iago does most of the killing of Desdemona , but in the play he is not allowed into the bedchamber until after she ... Iago is brought back to the chamber after his attempted escape , Othello responds to the percept of Iago's figure ...
Strana 177
... Iago's fear of the Moor makes him reluctant to speak " plus apertement " ( p . 436 ) of his feigned suspicions . Shakespeare brilliantly appropriates this reluctance as a memorable feature of Iago's machinations . Seeing Othello enraged ...
... Iago's fear of the Moor makes him reluctant to speak " plus apertement " ( p . 436 ) of his feigned suspicions . Shakespeare brilliantly appropriates this reluctance as a memorable feature of Iago's machinations . Seeing Othello enraged ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words