From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 74.
Strana 21
... action for Othello's commanding presence : " Keep up your bright swords , for the dew will rust them " ( I.ii.59 ) . The reader's mode of construing the story differs qualitatively from the audience's mode of perceiving the stage action ...
... action for Othello's commanding presence : " Keep up your bright swords , for the dew will rust them " ( I.ii.59 ) . The reader's mode of construing the story differs qualitatively from the audience's mode of perceiving the stage action ...
Strana 51
... Action : for [ all other things being equal ] ... without a comely and elegant gesture , a gratious and a bewitching kinde of action , a naturall and familiar motion of the head , the hand , the body , and a moderate and fit countenance ...
... Action : for [ all other things being equal ] ... without a comely and elegant gesture , a gratious and a bewitching kinde of action , a naturall and familiar motion of the head , the hand , the body , and a moderate and fit countenance ...
Strana 52
... action behooueful in all that professe this quality , nor vse any impudent or forced motion in any part of the body ... action to the word , the word to the action " ( III.ii.19-20 ) . He recalls the gestures of players who " neither ...
... action behooueful in all that professe this quality , nor vse any impudent or forced motion in any part of the body ... action to the word , the word to the action " ( III.ii.19-20 ) . He recalls the gestures of players who " neither ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words