From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 37.
Strana 47
... aesthetic theory , as the various conventions violating mere verisimilitude attest.37 The adapting dramatist needed to supply theatrical per- cepts , but if he was influenced at all by aesthetic theory , he knew that Aristotelian ...
... aesthetic theory , as the various conventions violating mere verisimilitude attest.37 The adapting dramatist needed to supply theatrical per- cepts , but if he was influenced at all by aesthetic theory , he knew that Aristotelian ...
Strana 259
... aesthetic affiliations among superior plays , regardless of the audience and theatre for which they were produced : " all in all there is a greater kinship between Shakespeare's tragedies and Middleton's than between King Lear and A ...
... aesthetic affiliations among superior plays , regardless of the audience and theatre for which they were produced : " all in all there is a greater kinship between Shakespeare's tragedies and Middleton's than between King Lear and A ...
Strana 328
... Aesthetic pleasure , 48 Aesthetic theory , 45-48 Alchemist , The . See Jonson Alexander , Sir William Index.
... Aesthetic pleasure , 48 Aesthetic theory , 45-48 Alchemist , The . See Jonson Alexander , Sir William Index.
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words