From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period of Shakespeare and His ContemporariesMouton, 1974 - 341 strán (strany) |
Vyhľadávanie v obsahu knihy
Výsledky 1 - 3 z 42.
Strana 51
... allusions attention to the completeness of the data varies . In Jonson , Rome is only the capital of Italy , but in Shakespeare , Inverness , for example , with its temple - haunting martlets , looms memorably out of Macbeth in ...
... allusions attention to the completeness of the data varies . In Jonson , Rome is only the capital of Italy , but in Shakespeare , Inverness , for example , with its temple - haunting martlets , looms memorably out of Macbeth in ...
Strana 55
... allusions to seeing , looking , eyes , and sight impel constructual attention to events shown on stage or to events imagined off - stage . These implied injunctions for the audience to see cluster largely around the abandoning of ...
... allusions to seeing , looking , eyes , and sight impel constructual attention to events shown on stage or to events imagined off - stage . These implied injunctions for the audience to see cluster largely around the abandoning of ...
Strana 200
... allusions appear everywhere in the last scene , and they are inventions . They enlarge the import of the action and impel belief in its heroic scale . Desdemona seeks a terrified alternative in banishment , without understanding ...
... allusions appear everywhere in the last scene , and they are inventions . They enlarge the import of the action and impel belief in its heroic scale . Desdemona seeks a terrified alternative in banishment , without understanding ...
Obsah
Introduction | 7 |
Constructs and Percepts | 31 |
Gestures Costumes and Properties | 63 |
Autorské práva | |
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Iné vydania - Zobraziť všetky
From Story to Stage: The Dramatic Adaptation of Prose Fiction in the Period ... Max Bluestone Zobrazenie úryvkov - 1974 |
Časté výrazy a frázy
action actor actor's figure adaptation of prose adapting dramatists aesthetic allusions amalgam of percept audience becomes Bertram body Cassio characters Coriolanus costumes critical Cupid's Revenge Dekker derives Desdemona difference dramaturgical Elizabethan dramatic adaptation Elizabethan theatre Emilia emphasis episode example eyes Faustus Fletcher Frankford gesture Hamlet handkerchief hath Helena Hermione Heywood Hidaspes husband Iago Iago's imitates change imitation of change imply infer Insatiate Countess invented John Marston John Payne Collier Jonson Killed with Kindness kinetic exposition King language Lear Leontes London lover Macbeth Marlowe Marlowe's marriage Marston means of imitation metaphor moral narrative off-stage Olivia Othello Pandosto passion percept and construct Perdita playwrights Polixenes popular adaptations prose fiction sources Renaissance romantic love scene sense sexual Shakespeare Shoemaker's Holiday Sidney's social Space shifts spatial speaks speech stage theatre thematic things thou tion tragedy tragic Twelfth Night violate W. W. Greg wife William Painter Winter's Tale Woman Killed words